- BEATLES YELLOW SUBMARINE CARTOON MOVIE
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Two new Harrison tracks, "It's All Too Much" and "Only a Northern Song," were integrated into the story, while a third, John Lennon's "Hey Bulldog," was cut from the U.S. Sixteen Beatles songs – from Rubber Souland after – as well as an instrumental score by producer George Martin, were included in the movie.
BEATLES YELLOW SUBMARINE CARTOON MOVIE
Instead of contrived urgency, there's un-pressured whimsy, and the movie exists as pure charm, expressed in fantastical imagery." "Perhaps because the Beatles were considered such a draw, perhaps because the songs were counted on to sell the film, there was no agenda to dumb down the material or hard-sell the story. "The story avoids the usual gee-whiz urgency of so much animation and reflects the same deadpan understatement that the Beatles used in A Hard Day's Night," Ebert noted. Watch a Video About the Voices Heard in 'Yellow Submarine' But the most important contributions to the script arguably came from an uncredited Roger McGough, a Liverpool-based poet and contemporary of the Beatles, who punched up the Beatles' dialogue with a heavy dose of typical Liverpudlian humor. Pepper – but a Bambi would have been better for me at the time."īroadax and Minoff wrote the screenplay, with assistance from Jack Mendelsohn and Erich Segal, who would soon go on to greater fame with Love Story.
They felt they ought to pick up on where we had been up to, which was Sgt.
Looking back on the film, I do like it now. "I love the Disney films, so I thought this could be the greatest Disney movie ever - only with our music. "I wanted Yellow Submarine to be more of a classic cartoon," he recalled in Anthology. The decision to draw upon the whimsical psychedelia of the era originally didn't sit well with Paul McCartney. Watch the Beatles' 'Eleanor Rigby' Sequence From 'Yellow Submarine' "It has a freedom of color and invention that never tires, and it takes a delight in visual paradoxes."
BEATLES YELLOW SUBMARINE CARTOON FULL
isn't full motion and usually remains within one plane, but there's nothing stiff or limited about it," Roger Ebert wrote when the movie was restored in 1999. If you freeze-frame it, you can see some of the brilliant tricks they came up with." The sequence where the sub takes off from the pier and appears to travel rapidly through all sorts of live-action settings, including a park where a statue of a military man astride a horse appears to tip his hat to you, was all done using postcards. "They used media no one had ever thought of using in animation. "The artists and directors used techniques no one had ever used before, and haven't since," he told the Guardian in 2012. Josh Weinstein, who was a writer and producer for The Simpsons in the '90s, marveled at its technical innovations.
BEATLES YELLOW SUBMARINE CARTOON SERIES
The Beatles leave Liverpool in the submarine and undergo a series of surreal adventures to get to Pepperland, including going back and forward in time, fighting off a monster and befriending a lovable creature named Jeremy Hillary Boob, Ph.D, who eventually helps them emerge victorious. An aged sailor, Old Fred, escapes and takes off in the submarine to Liverpool, where he convinces the Beatles to defeat the Blue Meanies. It then comes under attack from the from the music-hating Blue Meanies, who freeze all of its inhabitants.
BEATLES YELLOW SUBMARINE CARTOON TV
ROCK 'N' ROLL MEMORABILIA: Head to the Falcon for brunch, rock trivia and live musicīEATLES: Ringo offers advice on CD: 'Give more love'ĪRT: 'Under-Recognized Artists' exhibit variety of style in 'Here & There'Ĭampbell accepted the offer to direct "The Beatles" Saturday morning TV cartoon series, which aired on ABC from 1965-1969, and went on to animate many scenes in The Beatles feature length classic film “Yellow Submarine,” which is marking its 50th anniversary this year and will be re-released in selected theaters in July.Minoff's story is set in Pepperland, an underwater music-filled utopia protected by Sgt. “I had barely heard of The Beatles, which was why I thought it was about insects.” “I was more impressed with films and cartoons rather than rock ‘n’ roll,” said the artist who is from Seymour, Australia and lives in Arizona. When artist Ron Campbell was contacted in 1964 by King Features producer Al Brodax to direct an animated cartoon show about The Beatles, he said, “Insects make terrible characters for children’s cartoons.”Ĭampbell said Brodax laughed and explained to him the phenomena that was the British rock band.
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